By Aldon Thomas Stiles | California Black Media
Comic-Con was held in San Diego from July 21 through 24. Due to health concerns over the spread of COVID-19, there hasn’t been an in-person Comic-Con for two years. This year, Black creators, publications and characters had a chance to shine on stage as they were the subject of a few tantalizing announcements.
Marvel announced that the “Blade” movie, starring two-time Oscar-winner Mahershala Ali — as the half-vampire daywalker who hunts down night creatures in the Marvel universe –- will at last be released in November, 2023.
DC Comics unveiled a brand-new trailer for “Black Adam” starring Dwayne Johnson as an antihero and supervillain who was a slave 5,000 years ago but awakens in modern times with God-like power. Also featured in the trailer is Aldis Hodge as Hawkman and Quintessa Swindell as Cyclone who, as members of the Justice Society, faceoff against Johnson’s character.
Also, Marvel showed footage of Jonathan Majors as the next big Marvel villain known as Kang the Conqueror, a man who sees himself as the rightful master of the world. And Anthony Mackie’s Captain America movie received an official title: “Captain America: New World Order.” It is expected to hit theaters in May 2024.
But the news that generated the most excitement was the release of the first trailer for Marvel’s “Black Panther: Wakanda Forever,” a sequel to the cultural phenomenon helmed by the Oakland-born director Ryan Coogler. The director, during the movie’s Comic-Con panel, said that Wakanda Forever “goes to new places in Wakanda that we haven’t seen before.”
The emotional trailer mourns the loss of its king, T’Challa and foreshadows that Wakanda will be forced to fight off outside world powers. The movie opens in U.S. theaters Nov. 11.
Both Panther movies are heavily influenced by the AfroFuturism movement which places Black culture at the center of fantastical stories. During the first two days of Comic-Con, about a mile away, another type of pop culture convention hosted its fifth Blackcentered event dedicated to the AfroFuturism movement. Called “Freedom Riders for the Future: AfroFuturism Lounge,” and led by Dr. LaWana Richmond, co founder and organizer of the AfroFuturism Lounge, the gathering, in partnership with Comic Con, featured Black comic book and web creatives in a space to celebrate and foster Black comic book culture and Black futurist thought and industry opportunities.
AfroFuturism Lounge began in 2018, the same year the first “Black Panther” movie was released. Richmond expressed excitement for the sequel, celebrating its inclusion of a fictional Aztec society led by sometimes hero and antihero Namor played by Mexican actor Tenoch Huerta.
“Understanding AfroFuturism is inclusive futurism, I am inspired by the decision to add our Latinx brothers and sisters to the fun,” said Richmond, who also presented at a panel at ComicCon called the “Independent Creators Summit” hosted by Los Angeles based illustrator, comic artist & publisher Robert Roach, which showcased Black comic book creatives and Black comic book culture.
As a partnership with San Diego African American Museum of Fine Art, AfroFuturism Lounge brought in about 300 people.
“Attendees, many of whom are connecting for the first time since the pandemic, represent the emergence of a spectrum of Black-centered art, design, technology, thought leadership, science, writing, filmmaking, storytelling, music, health, and uncharted disciplines,” said Richmond, who reassured interested Black comic book enthusiasts that more events like this are on the way.
“As the leader of the San Diego Chapter of the Black Speculative Arts Movement, I assure you we will have much more up our sleeve before the year is over,” he said.
One such event is coming up on Sept. 3 by way of the second annual Afro Con, another two-day Black comic book convention. Interested fans can find more information at AfroCon.net and BSAMSD.org.